First Scene Of Institutional Building
Babylon Incorporatio
DOI:
https://doi.org/10.35355/revistafenix.v17i17.939Keywords:
Images, democracy, EuropeAbstract
Based on the exhibition held at the Dickson Poon School of Law at King's College London (2016/2017) by the German artist and professor at the University of Bonn, Werner Gephart, we propose here an analysis of the work “Babylonian production of norms in Europe (2016) ”, In dialogue with“ The Tower of Babel ”, from 1563 by the Belgian artist Pieter Bruegel the Elder, both collated with the religious texts with which they dialogue, in order to understand the analogies made by the author of the work with current European history , its unification and its many more contemporary dilemmas.
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WERNER. Gephart, Bilder der Moderne. Studien zu einer Soziologie des Kunst-und Kulturinhalte, 1998 DOI: https://doi.org/10.1007/978-3-663-09412-8
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